London Fashion Week is renowned for its bold, boundary-pushing designers. From Jonathan Anderson’s deconstructionist approach at JW Anderson, Martine Rose’s subversive menswear, to Simone Rocha’s ethereal yet unconventional femininity, the city has long been a haven for innovation. It’s where Maximilian Davis honed his modern elegance before taking over Ferragamo, and where Chopova Lowena transformed folkloric chaos into a beloved phenomenon.
This tradition of avant-garde fashion continues at London Fashion Week Fall Winter 2025, which kicked off with Harris Reed leading the charge. Reed’s dramatic showcase presented otherworldly silhouettes, marking the start of a season filled with theatricality and opulence. Central Saint Martins, known for launching careers of designers like Chopova Lowena, Kim Jones, and Nensi Dojaka, also opened the event, introducing the next generation of London’s design talent.
As expected, London’s signature irreverence takes center stage this season. The lineup includes influential names like S.S Daley, Simone Rocha, and Burberry, though some key brands, such as JW Anderson, Molly Goddard, and Wales Bonner, are sitting this one out. With gothic romanticism lingering and the possibility of 2010s indie sleaze making a comeback, London is always unpredictable but remains an electric experience.
For those not attending in person, fear not. At RUSSH, we’ll bring you the standout moments and highlights from the Fall Winter 2025 season of London Fashion Week.
Kicking things off, Harris Reed took over the iconic Tate Britain, transforming the runway into a stage where fashion, theater, and activism collided. Florence Pugh, Reed’s longtime muse, opened the show with a powerful spoken-word performance, delivering a monologue based on Shakespeare’s “All the world’s a stage” speech. This set the tone for the collection—one steeped in grandeur, romance, and defiance. Reed’s signature corseted gowns, celestial headpieces, dark color palettes, and sweeping capes felt even more commanding this season. These pieces, crafted from repurposed tapestries and deadstock fabrics, also underscored Reed’s ongoing commitment to sustainability.
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